All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. (If you are interested, Urs wrote an in-depth blog post about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. The filters are at the heart of Diva’s analogue sound. You also get filtering and simple EQ, up to 250ms of predelay, and narrowing down from the full stereo image of each chamber to mono or anywhere in between.ĭespite its archaic technological basis, Capitol Chambers remains wholly effective in any modern context, standing as a wonderfully earthy option for placing vocals, guitars and other instrumentation in a variety of evocative spaces.One spirit, many flavours Oscillators and Filters UA’s Dynamic Room Modelling technology combines impulse responses with algorithmic DSP, and provides plenty of setup options around the fundamentals of each chamber, including speaker (various Altecs or a Tannoy System 8) and microphone type (Altec 21D, RCA 44, Sony C37A or Shure SM80) and positioning, and a Decay control for ‘magically’ reducing the reverb time down as far as 1s. Pushing the definition of ‘classic reverb’ slightly, our next entrant is a modelled emulation of four of the echo chambers buried away beneath the iconic Capitol building, as designed by Les Paul and deployed on countless recordings since the 1950s: namely, chambers 2, 4, 6 and 7.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |